Gear

Review: Synology NAS – A Turbo-Charged Way to Store Sound Libraries

Gathering sound effects is addictive. Recordists always have an ear open wherever they travel to capture more audio. It’s the same for sound

Field recordists are a unique crowd. We don’t quite fit with theatre mixers, or sound recordists on set. Sound designers and Foley artists

Earlier in January I published an tantalizing find: a way for sound editors to archive their editing sessions to the cloud. The Gobbler app was

Are you editing a feature film with dozens of reels and thousands of sound effects? Are your hard drives becoming cluttered with back up sessions for

In the previous articles I've compared two popular portable field recorders: the Sony PCM-D50 and the Zoom H4n. The first article looks at D50

This week we'll continue our comparison of the Sony PCM-D50 and Zoom H4n portable field recorders. Last week we looked at how various features rated

New field recordists are faced with important questions when beginning their craft: what is the best portable field recorder to buy? Can you record

This article continues the Sony PCM-D50 review for stealth sound effects field recordings. Last week we looked at why Airborne Sound chose the D50,

Today's article will be a review of Sony's PCM-D50 hand-held audio recorder. This recorder isn't new. It was released in 2007. There are many