Review | Airborne Sound

2013/04/25

Review: Synology NAS – A Turbo-Charged Way to Store Sound Libraries

Gathering sound effects is addictive. Recordists always have an ear open wherever they travel to capture more audio. It’s the same for sound

2013/02/28

Field recordists are a unique crowd. We don’t quite fit with theatre mixers, or sound recordists on set. Sound designers and Foley artists

2013/02/07

Earlier in January I published an tantalizing find: a way for sound editors to archive their editing sessions to the cloud. The Gobbler app was

2012/12/31

Are you editing a feature film with dozens of reels and thousands of sound effects? Are your hard drives becoming cluttered with back up sessions for

2012/05/01

In the previous articles I've compared two popular portable field recorders: the Sony PCM-D50 and the Zoom H4n. The first article looks at D50

2012/04/24

This week we'll continue our comparison of the Sony PCM-D50 and Zoom H4n portable field recorders. Last week we looked at how various features rated

2012/04/17

New field recordists are faced with important questions when beginning their craft: what is the best portable field recorder to buy? Can you record

2012/04/10

This article continues the Sony PCM-D50 review for stealth sound effects field recordings. Last week we looked at why Airborne Sound chose the D50,

2012/04/03

Today's article will be a review of Sony's PCM-D50 hand-held audio recorder. This recorder isn't new. It was released in 2007. There are many