Gathering sound effects is addictive. Recordists always have an ear open wherever they travel to capture more audio. It’s the same for sound
Read MoreApogee Duet 2 Review
Field recordists are a unique crowd. We don’t quite fit with theatre mixers, or sound recordists on set. Sound designers and Foley artists
Read MoreThe Cheap & Easy Way to Backup Sound Libraries
Earlier in January I published an tantalizing find: a way for sound editors to archive their editing sessions to the cloud. The Gobbler app was
Read MoreBackup Archiving for Sound Editors: Gobbler Mini-Review
Are you editing a feature film with dozens of reels and thousands of sound effects? Are your hard drives becoming cluttered with back up sessions for
Read MoreWhich Portable Recorder is Best? Sony PCM-D50 vs Zoom H4n Observations
In the previous articles I've compared two popular portable field recorders: the Sony PCM-D50 and the Zoom H4n. The first article looks at D50
Read MoreWhich Portable Recorder is Best? Sony PCM-D50 vs Zoom H4n Shootout
This week we'll continue our comparison of the Sony PCM-D50 and Zoom H4n portable field recorders. Last week we looked at how various features rated
Read MoreWhich Portable Recorder is Best? Sony PCM-D50 vs Zoom H4n Features Comparison
New field recordists are faced with important questions when beginning their craft: what is the best portable field recorder to buy? Can you record
Read MoreSony PCM D50 Review 2: Secondary Features and Pros and Cons
This article continues the Sony PCM-D50 review for stealth sound effects field recordings. Last week we looked at why Airborne Sound chose the D50,
Read MoreSony PCM D50 Review 1: Key Features and Sound Effects Samples
Today's article will be a review of Sony's PCM-D50 hand-held audio recorder. This recorder isn't new. It was released in 2007. There are many
Read More